I SONGS REVIEW

Anirudh’s voice adds color to this thumping song, that'll make your senses go up and down. Its mastering will make you feel the rhythms and the bass strokes, all the way to your lungs.  Folk beats with all the possible effects position the song completely international. Violin is A.R’s vintage touch ! Fun filled, innovative, generation X lyrics by Kabilan. 

‘Adiyey’ fame Sid Sriram pulls of another thriller here with his jazzy voice. Starting of the song is a killer! Piano, flute and the symbols establish the type of song you're going to listen. The sudden break down is then set into a pace by the bass drum. A top class rock song, backed by chorus, sensational rendition and raising octaves. The timpani, electric guitars and sudden change in texture of singing are all sheer genius. 

Rahman is one composer who can still sound original, even if going completely western. R n B amalgamated with electronic sounds provide a song that could be boasted off in foreign sea-shore parties. The rapid changes in the tune make it a little abstract. Might require some effort from casual listeners to follow the song. 

A strong experimental song with the grand piano, opera singing, carnatic traces, bhangra beats and subtle techno treats. Will definitely need the visuals to experience it better. 

Keeping ‘Ennodu nee irundhal’ harmony, Chinmayee's husky voice and the soul stirring chord progressions from the acoustic guitar combine to give a very soothing composition. The simple first BGM and the basic rhythms make it an easily understandable melody, unlike other Rahman songs that has to grow into you after multiple listens. Late incoming of the male voice creates further impact! 

Rahman makes this different from the original by making it shorter, adding little more reverb on the voice and overlapping the beats.