DIRECTOR PANDIRAJ INTERVIEW

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"THE CASTING OF THE BOYS FROM PASANGA HELPED THE MARKETING AND PROMOTION ASPECTS OF GOLI SODA" - PANDIRAJ

Interview Team : Kaushik L M; Venkat

Behindwoods Tamil Cinema Progressive is a new initiative to recognize and laud individuals who have associated themselves with gutsy new-wave cinema with an eye on taking Tamil cinema forward.
 

Ever since Pasanga happened and later swept all the critics, awards and the audience alike, Pandiraj has been a noted personality in the industry. He soon ventured into production and distribution with his Pasanga Productions, and today he holds a respectable position as not only a talented director but also a producer with an eye on promoting good products and talents.


In a chat with Behindwoods as part of our “Tamil Cinema Progressive” initiative, Pandiraj talks about his firm and their modus-operandi.


Your company's mission and vision statement

There is nothing set as the vision. It should be a good, entertaining film with some novelty in it. The film should have some commercial value and little attractions which would keep the audience happy and not stress them out, as they already have a lot of worldly worries and stress. I am not meaning illogical fights and other-worldly heroism when I say 'commercial'. It’s basically elements which would engage the audience.
 

Even Marina and Pasanga had to have some commercial value in them, as a lot of children's movies don't get the proper reach among the audience. The involvement of the boys from Pasanga in Goli Soda was another commercially inclined decision and this aided the marketing and promotion aspects of the film.

I am not meaning illogical fights and other-worldly heroism when I say 'commercial'.

 

How do you go about the process of deciding your production and distribution ventures?

I don’t have a big team here. I should instinctively be impressed by the script and the movie. A few in my circle felt that releasing Moodar Koodam would be risky, but I felt that it was a good film which ought to be supported and distributed irrespective of box office success. In the same way, Goli Soda impressed me as soon as Vijay Milton told me the story. He also told me that he was finding it tough to get producers and I decided to support his venture in whatever little way possible even though I wasn't able to directly produce it.

A few in my circle felt that releasing Moodar Koodam would be risky

 

How important is a team's previous track record and experience, when you decide to associate with that particular team?

All my films be it Pasanga, Marina or Vamsam had a lot of newcomers and fresh faces, both in the cast as well as the technical crew. Talent is the key and not a person’s experience and background. They should be able to deliver good content. Even my future films would have a lot of fresh introductions. We have introduced Kural as a music director in my Simbu film, even though the scale of the film is big.

 

Do you have any fears regarding the failure of your project at the box-office?

Everyone would have that fear of failure. Else we all would be able to deliver back to back hits without breaking any sweat. Every film is like a first film and every Friday gives a lot of twists to filmmakers and producers.

 

What change would you like to bring about or see in the industry?

Digital technology has brought down production costs and made the entire process affordable. Even an amount of 75 to 80 lakhs would be sufficient now, to can a film. This is very healthy. But a lot of people with no prior experience in production have come in and are producing films with their kids in the lead roles. This has increased the quantity of films and these films invariably don't release. Inexperienced producers would also not be able to judge the viability of scripts and stories. So producers with the proper experience and passion for films are a must. New people getting into the business, is good but they should at least have experienced, seasoned people by their side to guide them.
 

From the director's side, there is a lack of planning when it comes to artistes’ management and usage of resources. This costs a lot of money to the producers. Proper table work should be there and everything should be planned, starting from the duration of the movie. All this can save a lot of money for the producer and also an artiste's time. If the budget is controlled there is every chance of the movie being at least a safe venture for the producer, even if it flops.

Producers with the proper experience and passion for films are a must.

 

Any other comments about the state of the film business now

Audiences are very smart and advanced nowadays. They decide if a film is worth it or not, from the time the first look, teaser and trailer of the film are released. The first look of a film has really gained prominence now.
 

And the importance of marketing and promotions is huge now and it is in fact easier in making a film than marketing, promoting and releasing it in theaters. Only people who are good at marketing and promotions are able to get their films out to theaters, while inexperienced production houses are struggling to release their films properly.

Of course, word of mouth from the audience and responsible criticism by the media still has a major role in deciding a film's success after its release, as evidenced recently with Goli Soda.

Now it is easier to make a film than market, promote and release it in theaters.


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This page hosts exclusive interviews with actors, actresses, film technicians and related celebrities. The interviews are generally personal views of the guest about their projects and film related matters. People looking for information about actors, actresses, directors, music directors, cameramen and other technicians will find this page useful.