KIRUMI SONGS REVIEW

A regular folk number with sultry vocals of Gaana Baala which is supported by the peculiar bass work and raw percussions. The occasional touches of harmonica with modern jazz make it a fun hearing. The track follows a linear approach with less scope for experimentation or innovation.

The album transforms to a trance mode with a breezy number which attempts to be feel good at its best. The repetitive bass work is supported neatly by jaltarang sounds in the interludes. The track is essentially breezy and abides by yesteryear superimposition style of vocals. The lyrics are delicate and poetic thereby suiting the ambience well.

Metro electric guitars and metallic vocals of composer G.V.Prakash Kumar pave the way for a moody number which has an irresistible feel of yesteryear street rock. The timely usage of harmonica is done with brilliant perfection and the track manages to create a peculiar eerie feel.

An extremely laid back guitar based composition with stylish Jazz flavor interspersed with Tamil folk. Despite the regular nostalgic chord progression, the track has a novel feel associated with it. Gaana Baala’s expressive voice makes no mistakes in getting a new dimension to this conventional tune. Watch out for the lazy trumpets here and there which strike a unique chord!

The composer takes 50s cowboy era music genre and gives it a modern makeover to it with a trendy presentation. The fancy lyrics are topped with live drumming and adequate vocal support by Yazin Nazir.  The wonderful electric guitar is the only aspect which makes consistent impact throughout its progress.

Like all the other tracks in the album, one can see the defined way of guitar usage in this as well. There is an angry electric guitar solo which keeps the track on a higher end.