His long search for his love, and his toils to find her with the help of his friend (played by Kanja Karuppu) forms the rest of the story. All this leads to a pretty interesting but not entirely unpredictable climax.

The events that lead up to the conflict in the screenplay seem well composed and without glitches (barring the aurally intolerable comedy by Ganja Karuppu). The second half is when the screenplay becomes a paradox, contradicting the hypothesis that it so far held and even banked upon. Only Ashok’s struggles to find Visaka are portrayed in detail, while her own pain at being separated is hardly depicted, making the audience second guess if their love is for real or is just one sided. (The script doesn’t make any attempt to explain it at the end either). An over-emphasis on the hero’s quest (while in Pune) for the heroine makes the second half a little disengaging, blotting an otherwise smooth narrative.

Ashok’s performance in the romantic scenes (especially when he is on the verge of losing hope of finding his beloved) shows consummate ease. A promising future lies ahead for this young actor. As for Visaka, there isn’t much to write home about except to note that she breathes life into the romantic scenes. Saranya as the heroine’s mother gives a standout performance, while Kanja Karuppu’s humor isn’t funny and is everything short of aural torture. He needs better writers to pen situations and lines that suit him. Sampath Raj who plays the girl’s father, an ex-service man turned customs officer, brings depth to his character.

Though music by Manu Rameshan seems to be in tune with the movie, only two songs really make the cut.