SUN PICTURES BREATHES A SIGH OF RELIEF AFTER SURA!
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By Behindwoods Visitor Umesh
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After seeing the "ondra ton weight da" trailer, I was so worried about the future of Sun Pictures whose previous release was a Sura-sized disaster. But I had forgotten to take the director of "Singam" into consideration. Hari somehow reminds me of Vikraman. Both of them are absolutely clichéd directors who work within a particular template and still work wonders in it. "Singam" is further proof of it.

"Singam" is a typical commercial masala with the right mix of ingredients. Suriya has come a long way from being a shy co-star with Vijay in "Nerukku Ner" to teaching lessons to Vijay on how to deliver a commercial sixer. He gets the Thoothukudi accent right but he shouts a lot damaging the ears. Dialogues are unnecessarily lengthy and pointless. An example: Pasikaga pongal thirudravana vituduven, aana rusikaga payasam thirudravana vidamaten!

Anushka (Believe it or not!) is very much a part of the storytelling. Yet, her real work (as always) is in the songs. She tries to go overboard in the "en idhayam" number before being restrained by the Censor Board. Vivek's track is an absolute yawn. From being a chinna kalaivanar, he has become a Chinna Venniradai Moorthy. Listening to his double meaning dialogues makes one ask "who the hell gave this guy a Padmasri?". Prakash Raj delivers nothing special. These directors are doing injustice to a National award winner.
Singam

The strong point of the movie is that there are loads of clichés which do not strike us because of the lightning-speed screenplay. DSP spoils the movie with his loud BGM score. Suriya as a cop will definitely make us draw unnecessary comparisons with "Kaakka Kaakka". But "Singam" is more of "Saami" than "KK". Hari, the safest bet in Tamil Cinema, makes Kalanidhi Maaran say a loud "happada"!

Umesh
umesh.psg@gmail.com
Tags : Singam, Hari, Suriya, Sura, Sun pictures

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