PREMAM SONGS REVIEW

Using the mastery of an acoustic guitar, high-pitched flute and tabla, this blues song sung by Vineeth Sreenivasan is a readymade winner. Abstract expressions in the interludes seem to be a newfound try by Rajesh. For once you feel the song could have been a little longer.

Like those soft-rock music adding some life to the lounge, this pathos has the rudiments played on the hi-hat with equal importance given to the audibility of the lyrics with spaced out instrumentation. The jive and swing of the song is very infectious.

Made on the classic country genre, this comical song has EDM equally supporting it. Special credits to the guitarist for his lively playing. Sabareesh Varma and Rajesh’s unusual rendition in a joshing manner is an interesting catch. Making use of the Dhol is another juxtaposing attempt enhancing the impact.

On a different league altogether, Shabareesh Varma almost talks the lyrics out for a pop song. Electronic rhythm pad, guitar solos, accordion and lot other nuances for a situation-driven song that lures the listener.

Give some time to it, this nerve-popping song can bring the animal in you. Murali Gopi’s involved singing and the heavy metal treatment can intoxicate you with violence and anger. Udukkai, snare rolls and the electric guitar evoke the actual emotion, glorifying the screen to the fullest. This soundtrack is an ideal caller tune for all those angry men around.

If EDM and folk can result into something like this; then the most effective mix of such elements will be this song. Sung by Anirudh, such an instantly catchy song has never been made in the past. To capture the beat in you, this number with differently tried tape beats, fully electronic interludes and interactive lyrics works big time.

A song that can make a stone fall in love, this Grand Piano driven composition has Vijay Yesudas’ unblemished voice that has a symphonic twist to it. The violin section in the interludes, noticeable bass-line and the sudden surprise from the clarinet creates a sense of delight. You would want to listen to this track again.

Ukelele, whistle and Ranjith’s expressive voice for a cut-song composed in a manner to suit the edit patterns of the visuals. This composition shows the versatility of the composer when he also uses pianos, bongos to give a mixed feeling. Yes, a Tamil song in a Malayalam movie.  

This song is like an impromptu session from brilliant musicians. Usage of live instruments and not going by loops is the major strength of Premam’s music. Made with the authentic Tejano-music, this composition is truly international. Group singing and pampering the tune with the shakers, accordion and Bajo Sexto charms us all.