Unnaipol Oruvan - An opinion from the eyes of a common man
By Behindwoods Visitor P.G. Aditya
The views expressed in this column is that of the visitor. Behindwoods.com doesn't hold responsible for its content.
What is it that amazes someone while watching a film? Is it the performances of the stars they’ve admired for years together? Or is it the sheer brilliance of narration and screenplay which moves at the speed of a bullet from its gun?

In this case, it’s both, and I’m elated to say that the bullet has accurately and fiercely hit its target.

Unnaipol Oruvan, the story of a frustrated common man who bursts out his fury at the various sectors of the chaotic world sets you ablaze with praise at the end of the film. It sets you thinking, and keeps you thinking even harder to hope for change, a change for betterment.

The message of the film would be better understood if I were to make a reference to the old saying: Fight fire with fire. That is exactly what Kamal Haasan’s character does in the film, and does it with panache and ease. He pulls off everything that the character requires making you laugh along to the dark satires, sit on your edge during the thrills and leaves you moist eyed at will, resulting in yet another role that will be spoken of in the years to come.

The ace actor from God’s own country does not fall short either. Mohanlal does justice to the role of IG Raghavan Maarar, with a confident and controlled approach to his character. He looks majestic on screen even as he tries very delicately to handle the most sensitive of situations that are presented to his character through the course of the film.

Though the two stalwarts hardly share any screen time together, it is pure magic to see them excel with sparkling chemistry through their exchanges over phone and perhaps what might arguable be the definitive scene of the film: their penultimate dialogue sequence which will unconsciously make you clap as it happens and consciously make you pray to not make it end!

Unnaipol Oruvan also includes some worthy performances by the supporting cast namely veteran actor Lakshmi, actors Ganesh Venkatraman and Anuja Iyer though I feel that there could have been a little more perfection in the scenes that showed the news reporting of the events that take place.

A tight screenplay, along with slick camera work and editing makes sure the film does not take the rear seat on the technical front. Kudos to Chakri Toleti, the captain of the ship, who has brought out the best from everyone who worked in the film.

The minor flipsides are that it is hard to differentiate the actor Kamal Haasan from the character he portrays which is that of a simple, common man. His costumes, minimal make up and characterization comes close to being called “Common” but his sophisticated performance and multi linguistic dialogues makes you feel that he is a bit more than being just a common man, for the character is elevated to that of a larger than life personality at a few points of the film.

Also, Unnaipol Oruvan employs a lot of gimmicks that disappoint to a level. Though these are used to create and subsequently maintain the tone of the film, I felt that at some points, there may have been an overdose of the same.

Allegorically, the film is about the slow degradation of a citizen who is unable to digest whatever the people around him seem to have tuned into. It explores the depth of communal violence and red tapism within the walls of the government. The film also presents the school of thought that terrorism and religion need not be inter linked at all times.

It is relieving that there aren’t any clichéd flashbacks to justify the actions of Kamal Haasan’s character. Rather, many of his notions and certain actions are clearly understood without any translation medium.

On the whole, Unnaipol Oruvan is you and me: Every child who earns when he should rather learn, every angry young man who is denied of his rights, every woman who is subject to abuse, and every senior citizen who sees the country which used to be his home now turn into just a mere house. All our frustrations, our anger and our rage that we’ve bottled up in our hearts; well, Unnaipol Oruvan is about a man like you, who has just broken that bottle open.


By P.G. Aditya
A student of Visual Communication,
And a daily visitor of your website.
pgaditya@gmail.com
 

The visitor claims that this column is his/her own. If the column infringes any copyrights that you hold, please email us.

If you would like your own articles to be published, please send them to

OTHER VISITOR COLUMNS
UNFORGETTABLE JOURNEY IN MY LIFE!!!
POKKISHAM - TREASURABLE MOMENTS
NO MORE PARUTHIVEERAN AND SUBRAMANIAPURAM
VAMANAN REVIEW
WHO NEEDS SUBRAMANIAPURAM, PASANAGA AND NAADODIGAL?
MORE VISITOR COLUMNS
 
 
 
Everything about Tamil movies, Tamil Actors, Tamil Actresses, Tamil Cinema & Kollywood
Behindwoods.com © 2004-2009 ; Privacy Policy ; Terms of Service